ROZANA LEE
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  • Bio
  • Wind to fly and flicker the flame - 2025
  • Drawn to see(a) - 2024
  • Bergman Gallery - 2024/5
  • Sweet shirotsumekusa - 2024
  • Memory Lines - 2024
  • Windows to the world - 2024
  • The Zhelezka Project -2023
  • Sekali pendatang, tetap pendatang -2023
  • A Way of Being Free -2022
  • Birds from Another Continent -2022/1
  • Several Degrees of Attention -2022
  • Crossings -2021
  • Home is Anywhere in the World -2020
  • New Work at Melanie Roger Gallery -2020
  • Auckland Art Fair Project -2020
  • Future Flowering -2020
  • Reconfigure(d) -2019
  • Two Oceans At Once -2019
  • AAF VIP Dinner -2019
  • (Be)Longing -2019
  • To Begin Again (MFA) -2018
  • Unfolding -2018
  • Excess and Difference -2017
  • Ornament and Abstraction -2017
  • Singapore Sensation -2016
  • On the Manner of Addressing Chaos (BVA) - 2015/4
  • Tsunami Hour -2013
  • Contact
Picture
To Begin Again, 2018
MFA Graduation Exhibition
Elam School of Fine Arts, The University of Auckland


https://elamartists.ac.nz/projects/to-begin-again
​
Exhibition text:
​This exhibition comprises a series of handmade batik fabrics and a video recording of the Muslim call to prayer at a local beach in my hometown Aceh, Indonesia, projected onto a 2004 tsunami-soiled fabric salvaged by my late father. The fabric screen references the sunshade commonly used in Aceh, and the back-projection technique acknowledges the Indonesian Wayang, where a story is told through shadows thrown from behind the screen. The batik fabrics incorporate diverse cultural patterns I am affiliated with; they tell a story of my navigations across and between cultures. Using a Tjanting, the traditional instrument for applying hot wax, I draw patterns that never return to the same form – each repetition contains small differences and displacements. By leaving most of the wax on the fabrics, rather than boiling it all off, I am deliberately fabricating a language of non-integration, and incompleteness. This incompleteness and ambiguity in the process points to a temporality of the ‘in-between’. This in-between condition allows “newness to come into the world.” 



  • Home
  • Bio
  • Wind to fly and flicker the flame - 2025
  • Drawn to see(a) - 2024
  • Bergman Gallery - 2024/5
  • Sweet shirotsumekusa - 2024
  • Memory Lines - 2024
  • Windows to the world - 2024
  • The Zhelezka Project -2023
  • Sekali pendatang, tetap pendatang -2023
  • A Way of Being Free -2022
  • Birds from Another Continent -2022/1
  • Several Degrees of Attention -2022
  • Crossings -2021
  • Home is Anywhere in the World -2020
  • New Work at Melanie Roger Gallery -2020
  • Auckland Art Fair Project -2020
  • Future Flowering -2020
  • Reconfigure(d) -2019
  • Two Oceans At Once -2019
  • AAF VIP Dinner -2019
  • (Be)Longing -2019
  • To Begin Again (MFA) -2018
  • Unfolding -2018
  • Excess and Difference -2017
  • Ornament and Abstraction -2017
  • Singapore Sensation -2016
  • On the Manner of Addressing Chaos (BVA) - 2015/4
  • Tsunami Hour -2013
  • Contact