The central concern of Rozana Lee's ongoing research and practice is how to create a contemplative space where cultural dynamism can be felt as togetherness or belonging, without being grounded in homogeneity. Drawing from her family's history of migration and displacement, and taking cues from cultural critic Edward Said’s discussion of  ‘connections between things’ and ‘contrapuntal’ relations, Lee seeks different rhythms, contours, and experiences as coexisting, sympathetic, and reconfigured.