ROZANA LEE
  • Home
  • Bio
  • Geography of nostalgia - 2025
  • Wind to fly and flicker the flame - 2025
  • Drawn to see(a) - 2024
  • Bergman Gallery - 2024/5
  • Sweet shirotsumekusa - 2024
  • Memory Lines - 2024
  • Windows to the world - 2024
  • The Zhelezka Project -2023
  • Sekali pendatang, tetap pendatang -2023
  • A Way of Being Free -2022
  • Birds from Another Continent -2022/1
  • Several Degrees of Attention -2022
  • Crossings -2021
  • Home is Anywhere in the World -2020
  • New Work at Melanie Roger Gallery -2020
  • Auckland Art Fair Project -2020
  • Future Flowering -2020
  • Reconfigure(d) -2019
  • Two Oceans At Once -2019
  • AAF VIP Dinner -2019
  • (Be)Longing -2019
  • To Begin Again (MFA) -2018
  • Unfolding -2018
  • Excess and Difference -2017
  • Ornament and Abstraction -2017
  • Singapore Sensation -2016
  • On the Manner of Addressing Chaos (BVA) - 2015/4
  • Tsunami Hour -2013
  • Contact
These are small works and working drawings, acrylic and mixed media on papers or canvases.
  • Home
  • Bio
  • Geography of nostalgia - 2025
  • Wind to fly and flicker the flame - 2025
  • Drawn to see(a) - 2024
  • Bergman Gallery - 2024/5
  • Sweet shirotsumekusa - 2024
  • Memory Lines - 2024
  • Windows to the world - 2024
  • The Zhelezka Project -2023
  • Sekali pendatang, tetap pendatang -2023
  • A Way of Being Free -2022
  • Birds from Another Continent -2022/1
  • Several Degrees of Attention -2022
  • Crossings -2021
  • Home is Anywhere in the World -2020
  • New Work at Melanie Roger Gallery -2020
  • Auckland Art Fair Project -2020
  • Future Flowering -2020
  • Reconfigure(d) -2019
  • Two Oceans At Once -2019
  • AAF VIP Dinner -2019
  • (Be)Longing -2019
  • To Begin Again (MFA) -2018
  • Unfolding -2018
  • Excess and Difference -2017
  • Ornament and Abstraction -2017
  • Singapore Sensation -2016
  • On the Manner of Addressing Chaos (BVA) - 2015/4
  • Tsunami Hour -2013
  • Contact