ROZANA LEE
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Bio
The Zhelezka Project -2023
Sekali pendatang, tetap pendatang -2023
A Way of Being Free -2022
Birds from Another Continent -2022/1
Several Degrees of Attention -2022
Crossings -2021
Home is Anywhere in the World -2020
New Work at Melanie Roger Gallery -2020
Auckland Art Fair Project -2020
Future Flowering -2020
Reconfigure(d) -2019
Two Oceans At Once -2019
AAF VIP Dinner -2019
(Be)Longing -2019
To Begin Again (MFA) -2018
Unfolding -2018
Excess and Difference -2017
Ornament and Abstraction -2017
Singapore Sensation -2016
On the Manner of Addressing Chaos (BVA) - 2015/4
Tsunami Hour -2013
Contact
A selection of drawings and prints, ranges from the traditional zinc plate etching, dry point etching, solar plate etching, linocut relief print, wood carving print and screen print.
Movement, change, and temporality are key investigations.
Drawing, Mixed Media on Paper, 85x61cm
Drawing, Mixed Media on Paper, 85x61cm
Drawing, Mixed Media on Paper, 85x61cm
Drawing, Mixed Media on Paper, 85x61cm
Acehnese Cultural Motive 1 (Linocut relief print on A4 paper) © Rozana Lee
Laser Cut print on A4 paper © Rozana Lee
Woodcut relief print on six A4 size cork boards © Rozana Lee
Woodcut relief prints on A4 papers © Rozana Lee
Home
Bio
The Zhelezka Project -2023
Sekali pendatang, tetap pendatang -2023
A Way of Being Free -2022
Birds from Another Continent -2022/1
Several Degrees of Attention -2022
Crossings -2021
Home is Anywhere in the World -2020
New Work at Melanie Roger Gallery -2020
Auckland Art Fair Project -2020
Future Flowering -2020
Reconfigure(d) -2019
Two Oceans At Once -2019
AAF VIP Dinner -2019
(Be)Longing -2019
To Begin Again (MFA) -2018
Unfolding -2018
Excess and Difference -2017
Ornament and Abstraction -2017
Singapore Sensation -2016
On the Manner of Addressing Chaos (BVA) - 2015/4
Tsunami Hour -2013
Contact