ROZANA LEE
Home
Bio
Sekali pendatang, tetap pendatang
Crossings
Two Oceans At Once
A Way of Being Free
Birds from Another Continent
Auckland Art Fair Project 2020
Home is Anywhere in the World
New Work at Melanie Roger Gallery
Future Flowering
Reconfigure(d)
AAF Dinner 2019
(Be)Longing
To Begin Again (MFA)
Unfolding
Excess and Difference
Ornament and Abstraction
Singapore Sensation
On the Manner of Addressing Chaos (BVA)
Tsunami Hour
Contact
A selection of drawings and prints, ranges from the traditional zinc plate etching, dry point etching, solar plate etching, linocut relief print, wood carving print and screen print.
Movement, change, and temporality are key investigations.
Drawing, Mixed Media on Paper, 85x61cm
Drawing, Mixed Media on Paper, 85x61cm
Drawing, Mixed Media on Paper, 85x61cm
Drawing, Mixed Media on Paper, 85x61cm
Acehnese Cultural Motive 1 (Linocut relief print on A4 paper) © Rozana Lee
Laser Cut print on A4 paper © Rozana Lee
Woodcut relief print on six A4 size cork boards © Rozana Lee
Woodcut relief prints on A4 papers © Rozana Lee
Home
Bio
Sekali pendatang, tetap pendatang
Crossings
Two Oceans At Once
A Way of Being Free
Birds from Another Continent
Auckland Art Fair Project 2020
Home is Anywhere in the World
New Work at Melanie Roger Gallery
Future Flowering
Reconfigure(d)
AAF Dinner 2019
(Be)Longing
To Begin Again (MFA)
Unfolding
Excess and Difference
Ornament and Abstraction
Singapore Sensation
On the Manner of Addressing Chaos (BVA)
Tsunami Hour
Contact